For Maglor slew Uldor the Accursed

maglor-uldor_col

Watercolour on Bockingford cold-pressed paper, 36×26 cm.

I recently asked my Patrons for suggestions for Maglor scenes, and his slaying Uldor came up several times. It’s such an unusual moment for the gentlest son of Fëanor, to be showing that he, like this brothers, was also a warrior.

Prints available!

Here’s a video about the background texture.

Advertisements

A Light in Dark Places (and good riddance to 2018)

“May it be a light to you in dark places, when all other lights go out.”
Watercolour on Stonehenge Legion cold-pressed paper, 22×36 cm.

Prints available on Etsy!

Walkthrough with a lot of art tips on Patreon.

It has taken me a while, but I finally begin to feel that I’ve got the ground back under my feet. Just knowing that, in another day or so, this year will be over is surprisingly liberating. There is a lot that 2018 left me and that I will continue to deal with, but it feels immensely gratifying to say, sod off, 2018, you’re history. I’ll deal with stuff, but those horrible months are never, ever coming back.

I finally feel up to saying how grateful I am for my friends, online and offline, who have helped me through these dark months, and whose faith in me has wavered far, far less than my own. I finally feel that maybe it may have been appropriate. All of you who have continued to support me in 2018, in word and deed, THANK YOU! Have a wonderful 2019. We’ve all earned it.

Ice and Fire

ice-and-fire_col

Watercolour and gouache on Canson Héritage torchon paper, 38×26 cm.
Prints here!

Original available – note me if interested!

A few words of explanation on the style/character choices:
I discovered A Song of Ice and Fire in 2003 and devoured the first three books (which was all there was back then) in one go. I totally fell in love with Jon Snow, and I remember loving how realistically written the teenage characters were. I had fun trying to picture them in my school classes I was teaching at the time. It was easy for all of them, except Dany. All the others I could place in any odd Year Seven, Year Eight, Year Nine, easily, but Dany totally eluded me. I didn’t like her, and she didn’t have a face while I read.

The show rectified that, and admirably, which I’m sure has to do with the choice of aging everyone up five years, but my Jon will always remain my Jon.

The Passing of Arwen

passing_col

The Passing of Arwen
Watercolour on cold-pressed Waterford paper, 19×27 cm.

“I shall not go with him now when he departs to the Havens; for mine is the choice of Lúthien, and as she so I have chosen, both the sweet and the bitter.”

Prints here!

Original available.

“For Ulmo bore up Elwing out of the waves”

I’m getting closer and closer to the feel that I’ve always wanted to achieve in my art, and, starting a few months ago, finally began to reach. This is another piece squarely along that road!

ulmo+elwing_col

Elros and Elrond were taken captive, but Elwing with the Silmaril upon her breast had cast herself into the sea. Thus Maedhros and Maglor gained not the jewel; but it was not lost. For Ulmo bore up Elwing out of the waves, and he gave her the likeness of a great white bird, and upon her breast there shone as a star the Silmaril, as she flew over the water to seek Eärendil her beloved.

The Silmarillion: Of the Voyage of Eärendil and the War of Wrath

Watercolour and gouache on Canson Vidalon paper; ~26×35 cm.

Prints available!

Video of this soon on Patreon, along with print discounts! Take a peek :)

Toned paper drawings

Experimenting with new (or old) techniques – I broke out the old toned paper again, together with red/brown and white pencil. I love how you can get beautiful sketches and drawings full of life that still look finished. It’s also great to work without (or with minimal) reference again.

“The Girdle of Melian”

“Three is company”

“Until the world is broken and remade” 

All of these are available as matted prints from my shop. The originals all sold straight off the easel, so if you’re interested in purchasing original art such as these, have a look at my Patreon page – all my Patrons get first dibs at original art and new prints!

 

“You’ll stand with me”

We went to see “The Last Jedi” twice during opening weekend, and I absolutely loved it. The plot problems didn’t bother me much; I loved what was being done with the characters – particularly Rey and Kylo Ren.

I confess that I didn’t trust the movies to develop in a way that would feel satisfying to me – psychological depth had never been the strong suit of Star Wars. I certainly didn’t expect for the movie to go the route it did, but I was delighted to see it.

throne-room-col

“You’ll stand with me”
Watercolour and gouache on Saunders Waterford cold-pressed paper, 15×25 cm

Prints

I had managed to stay almost completely spoiler free, and I really didn’t see this scene coming. I confess I yelped aloud in the cinema when it played on the screen. And all the while, hanging on the edge of my seat, watching Rey and Kylo Ren dissecting Snoke’s guards and cheering for them, I had a little voice at the back of my head: “But I don’t want it to be that easy. Don’t let them ride into the sunset together now.” I loved the way my wish was granted. I can’t wait to see what happens in IX.

Something that really impressed me was the handling of the “fear” theme in the plot. It was fear (however contrived…) that made Anakin turn to the dark side, it was fear that made Luke break off his training, it was fear that drove him to almost kill his own nephew, and it was that fear that fully turned Kylo Ren to the Dark Side.

I love the way they spun this plotline further, and I love the way how Rey turns it upside down. She isn’t afraid, not in the sense those others were, insecure, afraid to lose someone. She grew up depending solely on herself, and while she is cautious and brave and sympathetic towards others, she lacks that desperate streak that those other Force-others had which spoke to the Dark Side in themselves. How I would love for the end to be a true balance, with the Dark being a necessary part of the Light that needs to be understood and worked with rather than feared and avoided!

Yoda understood that; he had some of the best lines – about failure being the greatest teacher, and this truly remarkable line that resonated with me as a teacher and as a parent: “We are what they grow beyond.”