The Lady of the Golden Wood

A smallish watercolour commission I finished last month, with gold leaf. Prints are back in my shop!

Small Goddesses

(Anyone who caught the Pratchett reference, have a cookie!)

I’m in an exciting phase with my art. I’ve felt a latent unhappiness with aspects of it for several years, and this SmArt School class is such an amazing ride. I’m shaping up my stuff for submission to galleries, I’m learning loads, I’m trying out new things, I’m having my butt kicked by truly remarkable people.

These are small, coaster-sized pieces done using very close reference for the basic figure work and facial structures, but then deviating from them for almost everything else.

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Freya, with a peregrine falcon. Watercolour and gouache on Clairefontaine Nuageux paper, 13 cm.

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Tears of Isis. Watercolour, gouache and lavish gold leaf on Clairefontaine Nuageux paper, 13 cm.

These little beauties are available from my Etsy shop, readily framed and matted!

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Smaug

People have often asked me why I’ve never drawn Smaug. I think part of the reason is that he’s so iconic that legions of talented people have drawn him, and I’ve never felt the need. But when the thought arose to do a painting that heavily relied on gold leaf, he came to mind immediately.

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“Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”

Watercolour and gold leaf on Clairefontaine Etival cold-pressed paper, 29×40 cm.

 

Fell and Fey

Some Silmarillion in between, though at least slightly inspired (as probably shows) by Star Wars – ever since I saw Kylo Ren’s costume, I felt Fëanor would really look great in a high collar and flowing coat-tails. I’ve put him in black and gold before, so that was something that always belonged to him, for me.

And though you might say otherwise, the hair is 100% Fëanor, too. ;)

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Gold leaf (22 karat, a slightly paler colour than the 23 karat I usually use):

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Watercolour, gouache, and gold leaf on Canson Montval, 42×30 cm (painting itself an inch smaller).

Original available here

Prints with gold leaf available here.

Gold leaf, copper, and a redhead

There were several things I saw this month that made me want to try out gold leaf (and ImagineFX magazine accounted for several of them).

It didn’t take me long to decide I loved the effect, and needed more metals. Obviously, copper was an early choice. Also obviously, Maedhros was happy to be my guinea pig once again. (That Elf has been my guinea pig for watercolours, coloured pencils, acrylics and even oils over time, but he’s asked me not to mention the last two ever again.)

I’ll be safe mentioning this one, though. :) Still learning how to apply it best, on what surfaces, and in what weather (34°C seems to be suboptimal), but I just love the effect!

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Prints here!