Taliesin – Hare, Salmon and Wren

“A radiant brow, shining bright for all to clearly see:
Taliesin is your name, the greatest Bard that this land will ever see!”

(Damh the Bard, Ceridwen and Taliesin)

taliesin-fin

Watercolour and white gouache (harp strings) on Fabriano cold-pressed paper, 19×19 cm.

Matted prints available in my Etsy shop!

Original will be framed and available soon!

Taliesin began life as the boy Gwion who had to stir the kettle for the sorceress Ceridwen, in which she was brewing a potion to give her very ugly son Morfran the power of foresight and inspiration. When the potion boiled, it was Gwion who caught the three first drops of potion that would bring power. Fearing the sorceress’s wrath, he used his new skills to turn himself into a hare and flee. But she turned into a greyhound and pursued. He then changed into a salmon, but she took the shape of an otter and pursued him still. He then turned into a wren, but she changed into a falcon and chased him until she brought him to bay in a barn. Desperate, he took the shape of a grain of corn. She turned into a black hen and ate every single piece of corn in the barn.

Nine months later, she gave birth to a son and knew it was Gwion. Though she had vowed to kill him, when he was born, he was so beautiful that she could not bring herself to do it, but placed him in a basket on the sea, where he was found at length, named “Taliesin”, radiant brow, and went on to become the greatest Bard of all time.

Again, I used extensive reference (myself in a plaid scarf, photos of harps and harpers, though the harp is pretty much without direct ref). The face is based on a model, Nick Heymann, and dear me, is he beautiful. As befitting for Taliesin.

The end of a realm, of a world, of a dream

camlann_fin

“Jenny bowed her head again. For a moment, the rough clang of blade on blade filled her ears. She remembered that noise, and the cry of the dying, atop a high hill beneath a scorching sun. Black armor and a bloody blade. And the battle. Such a battle, one worthy of the world’s ending. And hadn’t it been? The end of a realm, of a world, of a dream…”

Watercolour and gel pen on Fabriano paper, 28×38 cm.

The battle of Camlann – the calm before the storm. From an upcoming novel by Paul Leone, merging a Victorian vampire tale with Arthurian legend.

Prints here!

It’s been a crazy summer, with a lot of unforeseen stuff that ate up my summer holidays completely. This is the only full painting I got done during that time, which is slightly frustrating, but it’s also another bit of proof for my conviction that breaks in your art transform you. Months ago, I resolved to try a softer approach to colouring than the one I had developed over the last four years (not fully intentionally either). I tried it, but it didn’t work – I just slipped back into old habits. Now, after three months with virtually no painting, it was incredibly easy to incorporate new habits. So – the break was a good thing in the end.

Search for the lost temple

Inspired by Claudia Gray’s novel “Bloodline” (which I haven’t read yet – exam marking season), which discloses that, just a few years prior to TFA, Luke Skywalker was travelling the galaxy in search for the first Jedi temple – with Ben Solo.

temple_col

“Search for the lost temple”

Watercolour on Cotman cold-pressed paper, A4 size.

Original sold.

The chronology majorly messes up some of my headcanons, as does the fact that Rey doesn’t seem to be related to the Skywalker family. I was extremely flattered, though, to read a review of the book that discussed the timeline of events and expressed regret over the fact that “that Jenny Dolfen painting” was now obviously AU. Wow. I mean – wow. I’m pop culture!

Dark wings downstream

“They laid him to rest in the ship with his sword upon his legs; and as he drifted home downstream, there came seven black swans, their trumpet calls guiding him to the Otherworld.”

blackswans_col

Some work (loosely) inspired by Arthurian legend that I’ve been wanting to paint for years. The clothes and burial gifts of the warrior are inspired by the Sutton Hoo treasure (as is the build of the ship, though much smaller). Watercolours on Fabriano Grana Fina, 29×39 cm.

Prints here!

Original for sale – contact me if interested!

Learning to fly

What he saw…

learning-to-fly_col

Watercolour and white gouache on Clairefontaine Etival cold-pressed paper, 25×35 cm.

Commission for Doug, who wanted me to show what Kylo Ren saw when he stood in the deserted cockpit of his father’s ship. An unusual piece for me, with all those darks (and that mechanical…. shtuff!) but I’m really pleased with it. It was a great challenge to portray emotion without seeing any faces at all, just through body language. Of course, watching Adam Driver do just that for most of TFA helped!

Prints here!

Smaug

People have often asked me why I’ve never drawn Smaug. I think part of the reason is that he’s so iconic that legions of talented people have drawn him, and I’ve never felt the need. But when the thought arose to do a painting that heavily relied on gold leaf, he came to mind immediately.

smaug_col

“Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”

Watercolour and gold leaf on Clairefontaine Etival cold-pressed paper, 29×40 cm.

 

The Monster and the Scavenger

This piece combines two of my greatest loves – Star Wars and Art Nouveau. Some very mucha part in me squeed when I saw Rey’s and Kylo Ren’s long-trailing costumes. They were meant for Art Nouveau.

 

monster+scavenger_col

Watercolour and gouache on Clairefontaine Etival cold-pressed paper, 28×39 cm (11×15 in).

Prints here! Original for sale. Contact me if interested!