Here are the Silmarillion pins!

They’re all available in my Etsy shop now!

I’ll be making a few others over the summer. If you’d like to get a say in which ones will be made, please check out my Patreon!

Pin designs

I can’t believe I never designed pins until now. It’s so freaking addictive!
The Maedhros pin is in production; I’m biting my nails to see it! It’s an exclusive special for my Patreon supporters. If you want one, you can still join up by March 25 to claim yours!

Others will be more openly available in the coming weeks and months, like the #Team Feanor, #Team Fingolfin, and #Team Finarfin pins. ;) I’ll be doing more too, but there’ll continue to be Patreon exclusives. It’s certainly worth a peek!

Fell and Fey

Some Silmarillion in between, though at least slightly inspired (as probably shows) by Star Wars – ever since I saw Kylo Ren’s costume, I felt Fëanor would really look great in a high collar and flowing coat-tails. I’ve put him in black and gold before, so that was something that always belonged to him, for me.

And though you might say otherwise, the hair is 100% Fëanor, too. ;)

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Gold leaf (22 karat, a slightly paler colour than the 23 karat I usually use):

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Watercolour, gouache, and gold leaf on Canson Montval, 42×30 cm (painting itself an inch smaller).

Original available here

Prints with gold leaf available here.

The Darkening of Valinor

This is a commission I took on last November (…!), for a wonderful guy and one of the greatest clients I’ve ever worked with. He wanted a painting of Fëanor holding his slain father, and the scene quickly evolved from there.

As usual, the fist sketches I made were digital, so I could shift around elements and try out what looked good where – digital thumbnailing. In the margin, quite a lot changed; the centre was pretty clear for me right from the start. Only Fëanor’s head went all over the pace during the sketching phase.

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At this stage, I took it to pencil and paper, lightly sketching out Fëanor and Finwë.

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In the end, I had everything where I wanted it (and had corrected Fëanor’s leg and Finwë’s head wound). For the centre image, I had been working in A4 format, which I find easiest to handle. (Especially on a desk otherwise overflowing with unmarked exams – school really kept me away from drawing for the better part of 2013. But you probably noticed that from the absence of pictures this year.)

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I then started on the background. For this, I printed out the centre piece on an A3 sheet of drawing board, in light orange, so I could filter it out digitally later and put the two different elements together but was in less danger of smudging anything. I wanted the centre piece there with me, because the entire piece was to have a unity (Fëanor was to be in direct eye contact with Morgoth across the different picture elements, and later, I continued certain flow lines across the borders- such as Fëanor’s clothing continued in Manwë’s clothing behind Nienna).

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Drawing Morgoth.
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Outlining the Valar. Ungoliant would be redrawn completely – she looks absolutely wonderfully terrifying, but I assembled her wrong – the legs are attached between the head and the main body of a spider, not on the main body. I can’t believe I studied spider anatomy for this image, and actually desensitised myself (huge arachnophobic here) enough to be able to google wolf spiders and draw them as terrifyingly as I could make it. Incidentally, the desensitising effect was enough for me to clean the basement floor for the first time since we moved into this house. If I’m feeling particularly daring, I might scrounge up the courage to pack up the spider-infested tent that has been lying around in the laundry room since last September.

Apart from arachnophobic concerns, another huge topic was how to portray the Valar. I’m really glad that the client gave me completely free reign with this. I had a hard time finding back to my view of some of them – I’ve seen entirely too many Morgoths, Mandoses and Manwës looking entirely too pretty. Many will disagree with me for Manwë, and feel free to, by all means – I know that “they took the forms of the children of Ilúvatar”. And yet, Tulkas has a beard, and when I first read the Silmarillion, I imagined the Valar like Greek or Norse Gods, with Manwë definitely in the tradition of Odin and Zeus.

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Fun fact: Nienna, for me, has always looked like the woman in the video of “Babe” from Take That. The song was in the charts in 1993, while I was reading the Silmarillion excessively during my last year at school, and the video featured a solder coming home from a war (?) in a wintry landscape, where a woman clothed head to toe in some sort of black gauze was walking through the ruins of a Russian palace covered in snow, usually with her head in her hands. I’d never been much of a Take That fan (my teenage tastes were rather unusual – Maedhros, Hannibal and football players instead of Mark Owen and Gary Barlow), but the video fascinated me visually. And gave me a clear vision of Nienna.

 

Next up: Watercolours!

Tolkien-Tag am Niederrhein

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I spent the weekend at Tolkien-Tag am Niederrhein (Tag being the German word for day; just in case you thought it was a weird game of tag, you’re it.)

Had a bunch of very nice conversations and a drawing workshop, and sold a couple of prints – and got some art done! It’s always a good idea to sketch while I sit at my stand. I don’t know why, but people will never believe that I drew these things I’m selling. And even if I tell them, they’ll assume I’ll just “print them out” or, hilariously, “Do you draw those freehand? Or do you use… stencils?”

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Yup. Never go anywhere without my “Finwë dying in Fëanor’s arms” stencil.

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I also did two more sketchbooks. The left was a commission, the right one is for sale. Any takers? I’ll make it 35 € instead of the usual 40 for sketchbooks because it wasn’t a free prompt. And because Éomer’s hand is a bit wonky.

The Darkening of Valinor (and other odds and ends)

Firstly, I’m finally drawing again – there’s still a whole load of tests that need to be marked over the next month, but most of the other work is out of the way.

This is a commission about the Darkening of Valinor – this will be the centre piece, with Fëanor holding his dead father.

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My latest print sale has been a huge success – thank you, all of you who have supported me by buying my prints! The print sale is still up; if you’ve been debating so far, you have until tomorrow to make up your mind. :)

And lastly: I’ve now got a tumblr! I’m still in the process of making up my mind what I’ll post where, but I can imagine that random sketches and wips will go to tumblr rather than my blog – unless it’s walkthroughs, of course. I’ll still do those here. :)

The Oath has been awakened…

Finished piece (here’s the process). The post was becoming so long that I decided not to hide the finished image at the bottom!

Click to enlarge!

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‘A Silmaril of Fëanor burns again in the woods of Doriath’; and the oath of the sons of Fëanor was waked again from sleep. For while Lúthien wore the Necklace of the Dwarves no Elf would dare to assail her; but now hearing of the renewal of Doriath and of Dior’s pride, the seven gathered again from wandering…

Detail shots (click to enlarge):

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