And the Orcs fled before his face

deeds-of-surpassing-valour1_col

“Maedhros did deeds of surpassing valour, and the Orcs fled before his face; for since his torment upon Thangorodrim his spirit burned like a white fire within, and he was as one that returns from the dead.”

J. R. R. Tolkien, The Silmarillion: Of the Ruin of Beleriand.

Watercolour on Canson Vidalon paper, 28×38 cm.

 

I’m holding a little giveaway of a proof print of this (and others) on Patreon!

giveaway

Regular and matted prints will be available next week in my Etsy shop. Keep your eyes peeled!

 

Advertisements

The Rescue of Maedhros

rescue_col

“Again therefore in his pain Maedhros begged that he would slay him; but Fingon cut off his hand above the wrist, and Thorondor bore them both back to Mithrim.”

Watercolour on Canson Vidalon cold-pressed paper, app. 22×31 cm.

The Hunt

the-hunt_col

The Hunt. Watercolour on Canson Vidalon paper, 19×39 cm.
Finrod Felagund joins Fëanoreans Maedhros and Maglor on a hunt in Eastern Beleriand. (Click to enlarge!)

After slowly easing back into art again with Inktober and the smallish and whimsical Newt Scamander piece this month, I felt ready to tackle a larger piece again. At first, I actually started it with gathering tons of reference, pasting and lightboxing horses and riders I’d photographed at reenactment events – and then I scrapped all of that and started the first stages loose, without reference, without correct anatomy, just to make sure it flowed the way I wanted it. (Much as I admire reenactors, they don’t flow. At least I can’t photograph them that way.) And suddenly everything just clicked into place again, the way it already had with the Newt piece. I then checked reference and reworked the figures and horses, but I’d once again found what truly makes me happy with my art.

Canson Vidalon paper proved a great choice for this. Its cottony texture allows very soft washes and keeps everything rather light; you really have to work hard for your darks and be very deliberate where you want them. The magnifying glass made another appearance, too. The detail shot below tells you just how small those faces are.

hunt-size

Matted prints of these will soon be available in my Etsy shop – watch social media for more info.

A lot has been happening on Patreon recently! Ten new people have joined us, there’s been a giveaway for calendars and Inktober art, a livestream of painting this one with a Q&A, and the timelapse video for this one is available for my Patrons as well. Ever thought of joining, too? Take a peek!

Inktober 2017

My first ever Inktober! Inktober’s rules are simple: Post a piece drawn in ink, every day of October.

Initially, I did try actual ink, pen nib, and brush. After day 2, however, I decided that my inking skills were so lacking that I was in danger of totally frustrating myself, especially after almost a year of hardly any art at all. So I decided to stick with what little comfort zone I had left, and do these pieces in ballpoint pen.

I also had the idea that sustained me throughout this month: I decided to dedicate Inktober to my personal heroes of page and screen – all the film and book characters that have fascinated me in my life.

A couple of days in, I had to ask myself: Do I want to have 31 top notch pieces at the end of October? That was my fuzzy mental idea when I started out, and I had to bury that as early as October 2nd. It was marking season; my desk was buried under a hundred exams. I thought about quitting. Then I decided to make this my personal “DO THIS” project. No matter how busy the day was. No matter how little time you have. No matter how crap the drawing is. Do it. Post it. Inktober is all about forming habits. I wanted to show myself that I could still art.

The only one I missed was 15 – we went to see Bayer Leverkusen play VfL Wolfsburg. In retrospect, I should just have done a scribble in the stadium. Today (Oct 31) I would. Two weeks ago, that prospect still felt daunting.

Here are the results, along with my thoughts and comments on each as I first posted them. You can navigate through them by just clicking on the image that’s open.

 

Inktober has been an incredibly valuable experience for me – over the last few years, with two small and then borderline teenage kids, a taxing day job and sky-high levels of exhaustion, I had a lot of excuses for not being creative. Those excuses had become so ironclad that they effectively kept me from creating for about a year. Even the things I did draw and paint were a huge effort. At times, over the summer, I felt that maybe it was time to stop being an artist. The most frightening thing about that thought was that it didn’t frighten me at the time.

I was totally sure I would never finish Inktober (as with the ill-fated Junicorn I tried one and a half years ago), so I hardly advertised it, and hardly prepared for it. Maybe that was good. It definitely took the pressure off me, and uploading even the pieces that were sub-par in my eyes proved unexpectedly cathartic.

A wonderful asset of Inktober has been the flow of positive vibes I’ve been getting through social media, talking to people about the films and books we love (and even encountering some of the authors – talking to Tamora Pierce and being shared by Guy Gavriel Kay and Tad Williams).

Thank you! <3

As little might be thought

“For Maglor took pity upon Elros and Elrond, and he cherished them, and love grew after between them, as little might be thought; but Maglor’s heart was sick and weary with the burden of the dreadful oath.”

(The Silmarillion, “Of Eärendil and the War of Wrath”)

aslittle_col

Watercolour and gouache on Canson Montval cold-pressed paper, A3 size.

 

A re-run of an old sketch that never took off, so I was really glad when I was asked to revisit it as a commission! My son kindly modelled both Elrond and Elros. Don’t ask me which is which. XD

Welcome to my life, Quinacridone!

A few people recommended Daniel Smith watercolours to me when I posted my last blog post. I got curious and found a place to order them online in Germany. I got myself Shadow Violet, Quinacridone Deep Gold and Indian Red (which I’d run out of anyway). The owner of the shop very kindly also included a couple of “dot cards”, watercolour paper with dried paint dots on it, which you can try out for yourself. And wow – am I hooked! Especially the Quinacridone hues are amazing – completely transparent, light-fast and wonderfully vibrant and alive.

wp_quin

In the corner, I tried some Shadow Violet (with masking technique). The hues you see there are for real. Just wow.

I also got myself some Fabriano paper, as I was running out of Montval. Fabriano, for me, is a real discovery – as grainy and cottony as Arches, but without the latter’s setbacks (I could never get dark colours on Arches). Together with a new watercolour technique book by Roland Roycraft, I suddenly found myself wanting to try it all out at once – new technique with masking fluid, my new Daniel Smith colours, my new Fabriano paper, and leave out lineart and paint loosely, while we’re at it.

With all those novelties, it was clear who’d be my guinea pig.

wp_maedh-test

I still managed to totally warp the proportions (no lineart! Heeeelp!), so thanks for the miracles of Photoshop’ liquefy tool. :D

The colours are 100% original. Let’s just pretend the face looks like this too.

The Oath has been awakened…

Finished piece (here’s the process). The post was becoming so long that I decided not to hide the finished image at the bottom!

Click to enlarge!

wp_seven-sons_col

‘A Silmaril of Fëanor burns again in the woods of Doriath’; and the oath of the sons of Fëanor was waked again from sleep. For while Lúthien wore the Necklace of the Dwarves no Elf would dare to assail her; but now hearing of the renewal of Doriath and of Dior’s pride, the seven gathered again from wandering…

Detail shots (click to enlarge):

wp_seven_detail