New batch of pins have come in!

Look at those beauties! <3 I can’t stop staring.

You can find them in my Etsy shop! Check out Patreon or my newsletter for discounts. :)

The newsletter is a good idea if you want to stay up to date – there’s a lot of stuff happening at the moment. I’ve just finished work on a new artbook collecting my works from 2015 to now, which will be available later this summer or in autumn. I’ve been pretty busy with that, and the pins, but I hope that now there’ll be an uptick in watercolour/pencil art again! Thank you all, as always, for supporting my work. <3

For Maglor slew Uldor the Accursed

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Watercolour on Bockingford cold-pressed paper, 36×26 cm.

I recently asked my Patrons for suggestions for Maglor scenes, and his slaying Uldor came up several times. It’s such an unusual moment for the gentlest son of Fëanor, to be showing that he, like this brothers, was also a warrior.

Prints available!

Here’s a video about the background texture.

The Hunt

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The Hunt. Watercolour on Canson Vidalon paper, 19×39 cm.
Finrod Felagund joins Fëanoreans Maedhros and Maglor on a hunt in Eastern Beleriand. (Click to enlarge!)

After slowly easing back into art again with Inktober and the smallish and whimsical Newt Scamander piece this month, I felt ready to tackle a larger piece again. At first, I actually started it with gathering tons of reference, pasting and lightboxing horses and riders I’d photographed at reenactment events – and then I scrapped all of that and started the first stages loose, without reference, without correct anatomy, just to make sure it flowed the way I wanted it. (Much as I admire reenactors, they don’t flow. At least I can’t photograph them that way.) And suddenly everything just clicked into place again, the way it already had with the Newt piece. I then checked reference and reworked the figures and horses, but I’d once again found what truly makes me happy with my art.

Canson Vidalon paper proved a great choice for this. Its cottony texture allows very soft washes and keeps everything rather light; you really have to work hard for your darks and be very deliberate where you want them. The magnifying glass made another appearance, too. The detail shot below tells you just how small those faces are.

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Matted prints of these will soon be available in my Etsy shop – watch social media for more info.

A lot has been happening on Patreon recently! Ten new people have joined us, there’s been a giveaway for calendars and Inktober art, a livestream of painting this one with a Q&A, and the timelapse video for this one is available for my Patrons as well. Ever thought of joining, too? Take a peek!

As little might be thought

“For Maglor took pity upon Elros and Elrond, and he cherished them, and love grew after between them, as little might be thought; but Maglor’s heart was sick and weary with the burden of the dreadful oath.”

(The Silmarillion, “Of Eärendil and the War of Wrath”)

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Watercolour and gouache on Canson Montval cold-pressed paper, A3 size.

 

A re-run of an old sketch that never took off, so I was really glad when I was asked to revisit it as a commission! My son kindly modelled both Elrond and Elros. Don’t ask me which is which. XD

Harp lessons

This commission really took me some failed attempts – I couldn’t get two people and a harp to work without reference.

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It only worked when I grabbed my husband and daughter and had them pose for a few reference shots. My daughter’s cutely contorted feet then made it into the drawing. The harp ought to go between Elrond’s legs, I know – but hey, Maglor still has a lot to teach him. And I really, really had to keep those legs.

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The lineart:

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And finally, a light watercolour wash (that still took age to dry last night – the humidity was so high that it took over an hour. I had to resort to the hair dryer!)

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The harp no longer sings

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This is a concept that has occupied me for years, resulting in several pieces already. It’s symbolic rather than illustrative of any given passage in the text – Maglor, a remnant of the Elves in Middle-earth but excluded from his people, caught in a world of his own where music no longer brings consolation, surrounded by the ruins of the former greatness of the Noldor, whose downfall he had a part in.

I’ve never really done much with the “ruins” part of the scenario; half-hearted attempts at best, probably because I really struggle with architecture of any kind. Now, though, I’ve decided to give it another go.

This is a more refined version of the first sketch.

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Here’s the lineart:

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When I print the lineart, I tint the ruins in the background more greenish and very light, so that it will mostly disappear in the finished painting, and reduce the ruins to faint structures that could just as well be from a dream.

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This picture is a great excuse to make excessive use of my new Cobalt Turquoise from Schmincke. For the first background wash, I mix it with Chrome Oxide Green and a touch of Ultramarine and Cadmium Yellow, and apply it very thinly with a soft brush, lighter at the top and darker at the bottom.

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I then re-wet everything, and paint darker streaks, that will look like sunlight filtering through tress – or through water. I want the whole lighting here very ambiguous.

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After this has dried, I use the same colours – more green here, more blue there – very thinly to paint the detail in the ruins.

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To make it less monochromatic, I go in with a bluer tone, and paint the shadows in the areas between the streaks of sunlight. This is the point where my camera decides “This is all just green. Yeah, whatever.” I hope my scanner is more sensitive later…

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In all the following, excuse the turquoise colour mash, please.

Next, I add some Ochre to everything in the foreground – first the structures, to suggest sandstone or a similar stone.

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It gets a greenish-blue layer for shadows, to make it stand out less. I then decide Ochre will make a great foundation for the figure too. This looks very yellow now, but will mostly vanish under the greens and blues of Maglor’s clothing later, only serve as a “grounding” in the light situation around him.

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Some detailing in the ground – mainly with Ultramarine and duller Indigo, but with the brush dipped into Chromoxide Green, Cobalt Turquoise, and Ochre here and there for colour variation.

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Detailing on the leaves, again with the whole range of greens and blues used above.

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The skin is done with Burnt Sienna, as usual, but thinned down beyond recognition with my dirty water, which is now a nice green-blue concoction, rather thick too, as it’s dried overnight. Comes in extremely useful for making any colour fit the mood of my painting.

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I use the same principle with the hair tone, which is Sepia with a lot of dirty green water. The shadows are done with a touch of Indigo, too.

(Give my camera a kick here, please. Thanks.)

On the image on the right below, I’ve re-drawn the eyes and brows slightly with a Sepia marker, as the lineart was starting to dull under the paint.

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Below left: Next, I put in the base tones, very light, of Maglor’s clothes. I choose a mix of Cobalt Turquoise, Ultramarine, and Chromoxide Green for his tunic, and a more Indigo-heavy tone for the cloak. The hose is just my dirty water at this point. ;)

Below right: First layer of rendering. I build the shadows up slowly, mostly with Indigo, to avoid getting too dark too soon, and adding another layer here and there to add depth.

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Below: detailing on the arm guards. (I love doing Maglor’s arm guards.)

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After darkening and shading, and detailing, we arrive at this.

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Final touches include painting the falling petals with white gouache.

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The Oath has been awakened…

Finished piece (here’s the process). The post was becoming so long that I decided not to hide the finished image at the bottom!

Click to enlarge!

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‘A Silmaril of Fëanor burns again in the woods of Doriath’; and the oath of the sons of Fëanor was waked again from sleep. For while Lúthien wore the Necklace of the Dwarves no Elf would dare to assail her; but now hearing of the renewal of Doriath and of Dior’s pride, the seven gathered again from wandering…

Detail shots (click to enlarge):

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