Wardens of the North. Watercolour and coloured pencil on Canson Vidalon cold-pressed paper, 16×26 cm.
Prints of this are available here! Or you can try to win one in a giveaway on my Patreon. The original piece will be available in my shop soon! Contact me if you’re interested.
I’m currently on a two-week sick leave after my eye-related headaches got less and less manageable. I’m trying to rest loads, avoid any driving if I can, and training my left eye to take over without protesting too much. It’ll take a lot longer than two weeks to get there (my ophthalmologist is thinking in years), but I hope to give myself a bit of a head start under less stressful conditions. Switching between near and far is the worst. Surprisingly, working on tiny paintings for hours works really well. Which gives me the added recreational experience of doing something that really recharges my mental battery.
I’m getting closer and closer to the feel that I’ve always wanted to achieve in my art, and, starting a few months ago, finally began to reach. This is another piece squarely along that road!
Elros and Elrond were taken captive, but Elwing with the Silmaril upon her breast had cast herself into the sea. Thus Maedhros and Maglor gained not the jewel; but it was not lost. For Ulmo bore up Elwing out of the waves, and he gave her the likeness of a great white bird, and upon her breast there shone as a star the Silmaril, as she flew over the water to seek Eärendil her beloved.
The Silmarillion: Of the Voyage of Eärendil and the War of Wrath
Watercolour and gouache on Canson Vidalon paper; ~26×35 cm.
The Hunt. Watercolour on Canson Vidalon paper, 19×39 cm.
Finrod Felagund joins Fëanoreans Maedhros and Maglor on a hunt in Eastern Beleriand. (Click to enlarge!)
After slowly easing back into art again with Inktober and the smallish and whimsical Newt Scamander piece this month, I felt ready to tackle a larger piece again. At first, I actually started it with gathering tons of reference, pasting and lightboxing horses and riders I’d photographed at reenactment events – and then I scrapped all of that and started the first stages loose, without reference, without correct anatomy, just to make sure it flowed the way I wanted it. (Much as I admire reenactors, they don’t flow. At least I can’t photograph them that way.) And suddenly everything just clicked into place again, the way it already had with the Newt piece. I then checked reference and reworked the figures and horses, but I’d once again found what truly makes me happy with my art.
Canson Vidalon paper proved a great choice for this. Its cottony texture allows very soft washes and keeps everything rather light; you really have to work hard for your darks and be very deliberate where you want them. The magnifying glass made another appearance, too. The detail shot below tells you just how small those faces are.
Matted prints of these will soon be available in my Etsy shop – watch social media for more info.
A lot has been happening on Patreon recently! Ten new people have joined us, there’s been a giveaway for calendars and Inktober art, a livestream of painting this one with a Q&A, and the timelapse video for this one is available for my Patrons as well. Ever thought of joining, too? Take a peek!