Learning to fly

What he saw…

learning-to-fly_col

Watercolour and white gouache on Clairefontaine Etival cold-pressed paper, 25×35 cm.

Commission for Doug, who wanted me to show what Kylo Ren saw when he stood in the deserted cockpit of his father’s ship. An unusual piece for me, with all those darks (and that mechanical…. shtuff!) but I’m really pleased with it. It was a great challenge to portray emotion without seeing any faces at all, just through body language. Of course, watching Adam Driver do just that for most of TFA helped!

Prints here!

The Monster and the Scavenger

This piece combines two of my greatest loves – Star Wars and Art Nouveau. Some very mucha part in me squeed when I saw Rey’s and Kylo Ren’s long-trailing costumes. They were meant for Art Nouveau.

monster+scavenger_col

Watercolour and gouache on Clairefontaine Etival cold-pressed paper, 28×39 cm (11×15 in).

The dark side, and the light

Trying my hand at another full watercolour portrait of Kylo Ren. It’s cool how much this working from photos phase has taught me about realistic painting since January! Adam Driver’s face still defeats me more often than not, but I’m quite happy with it here. A bit too handsome, perhaps, but I’m biased.

dark-light_col

Watercolour and gel pen on Clairefontaine Nuageux cold-pressed paper, 39×29 cm (~11×15 in)

Original and prints available here!

Video on Patreon.

 

Finn

I feel infinitely bad that this wonderful character hasn’t got his portrait from me yet! He was actually the very first The Force Awakens piece I did, back in December, pretty much after returning from the cinema, but the pose and the colours didn’t work out, and afterwards, I didn’t dare try again. Now, finally!

For me, Finn is the heart of the gorgeous new young cast. He’s fun, he’s brave, he’s kind. He may take second place after Rey, but he’s the one I identified with most, wearing his heart on his sleeve so much, and not bothering to hide it.

I also love what I’ve seen from John Boyega in interviews. Such a fun bloke. I hope that someday, someone will get him to re-dub his character in British English. “I’m a stohmtroopa, I’m here’t save ya.” I really want to hear that. finn_col

Finn. Daniel Smith watercolours on Clairefontaine Nuageux paper, 27×36 cm.

Timelapse video on Youtube.

Original here!

Ben and little Rey

Okay, this is it. I’m illustrating headcanons that have a fat chance of being AU in two years’ time. I regret nothing.

Ben Solo (around 15) and Rey (around 4) at the Jedi Academy. Ben is already firmly under Snoke’s influence, already knowing he has to kill his fellow students on Snoke’s orders, and allows nobody to break into his shell. Rey is still trying.

ben-and-rey_col

“Why are you angry?”
“Get lost.”

Watercolour on Clairefontaine Grain Nuageux paper, 30×21 cm.

Original here.
Okay, I’ve broken down and made prints available. :)

 

Sketch to painting video here.

A creature in a mask

Is she done with him yet? Nope, she isn’t. ;)

In fact, the more theories I read about this guy, the more he intrigues me.

kylo-ren-mask-col

A creature in a mask

Watercolour and gouache on Canson Montval paper (which is seriously reaching its limits for the amount of water I’ve been sploshing on it recently). Size 42×30 cm.

Original here.

Timelapse video here.

Can we talk about the Force vision Rey has when he is called to the Skywalker lightsabre? How amazing is it to heap spoilers and dead giveaways on the audience in such a way that most of them will be too dazed to make any sense of them until they’ve watched a couple of Youtube videos taking the footage apart? Even after the second rewatch, I didn’t have a clue what I’d seen. In my head, it was WHAM rey-rain-hey-its-R2-was-that-luke-menacing-people-ah-that-kylo-guy-awww-that-poor-girl WHAM, and I never realised that I had just seen Kylo Ren saving Rey’s life by running his iconic lightsabre through a masked man – another knight of Ren? – who was just about to kill her.

Which has sold me on the theory that Kylo Ren was the one who left Rey on Jakku.

This is why nobody ever came back for her – because everyone thought she was dead like the others. Kylo Ren defied Snoke by letting her live, and hiding her. That’s why he seems to know who she is throughout the movie. On my first watch, I was sure she was also a daughter of Han and Leia, so that would have explained the familiarity. Obviously, she isn’t (and is quite probably Luke’s daughter – while that Anakin reincarnation theory is beautiful, I think it’s too out of the way), but he still freaks out when he hears that BB-8 left Jakku with the help of a girl. Because now Snoke will know that Kylo Ren disobeyed him all those years ago. I have a feeling that the completion of his training might be an unpleasant experience.

 

Rey

… or how Daisy Ridley’s character killed the Mary Sue trope.

There is just so, so much to love about the new Star Wars movie. As always, I’ll give you the art first, so you can skip the rambling if you like.

rey_col

Watercolour and white gel pen on Canson Montval paper, 21×30 cm. Sorry, still not a portrait artist. ;) Original painting available here!

This movie has just done so much with me, and Rey is no exception. She continues a great tradition of females that are unusual on the big screen (again, the Prequels didn’t really add a lot to that – Padme almost ruined every progress that Leia had made). What I love most about Rey is that she is basically Luke. Luke with a bit of Indiana Jones, in fact. She’s a young zero-to-hero figure living on a desert planet who can do basically anything (the Indiana Jones factor). People whine that she’s a Mary Sue (which she is most definitely not, since she isn’t an author insert for JJ Abrams. Not that I know of). Of course, what those people mean is that she’s just too good, too perfect, too proficient, too fast. But firstly, those people wouldn’t even notice it if a male protagonist was that much of a wunderkind (or have you heard people whine about Indiana Jones? Neither have I, rightfully), and secondly, those people are ignoring the factors that play into Rey’s apparent ease at success. The only reason why Rey is able to whomp Kylo Ren so thoroughly at the end of the movie is that Ren is practically dead on his feet at the time. And as for bypassing that compressor, of course she knows her way around with junk!

Rey is such a wonderful heroine that it makes you wonder why it took Hollywood so long to take this plunge with a strong, likeable, female action hero whose gender simply has zero impact on the story. She’s smart, she’s funny, she’s strong, she’s tragic, she’s tenacious, she’s determined. And she’s cute, but frankly, so is everyone else, so she is in no way dependent upon that one female domain.

It makes me infinitely happy that my daughter, and my son, both get to grow up with a movie that has Rey in it.

Seriously though – Lucasfilm acting all surprised by how successful her character is? The fact that she’s the centre of the story might have been a dead giveaway for the astute-minded, but even if that wasn’t, how is it possible that John Williams gave her her own leitmotiv and somehow the merch producers missed that? *whiplash-inducing headshake*