The Monster and the Scavenger

This piece combines two of my greatest loves – Star Wars and Art Nouveau. Some very mucha part in me squeed when I saw Rey’s and Kylo Ren’s long-trailing costumes. They were meant for Art Nouveau.

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Watercolour and gouache on Clairefontaine Etival cold-pressed paper, 28×39 cm (11×15 in).

“That hairy beast”

Kylo Ren remembering Chewie. Or trying not to.

Just as he calls his father “Han Solo” to avoid any emotional ties to him, I imagine he avoids thinking of Chewie as anything than in terms of “that hairy beast” or maybe the “walking carpet” Threepio and Leia used to denote the Wookiee. Especially after being shot by him.

Except “Fuzzball”. That was Han’s. He wouldn’t use that.

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Watercolour and gel pen on Hahnemühle Le Rouge cold-pressed paper.

Original here.

Ben and little Rey

Okay, this is it. I’m illustrating headcanons that have a fat chance of being AU in two years’ time. I regret nothing.

Ben Solo (around 15) and Rey (around 4) at the Jedi Academy. Ben is already firmly under Snoke’s influence, already knowing he has to kill his fellow students on Snoke’s orders, and allows nobody to break into his shell. Rey is still trying.

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“Why are you angry?”
“Get lost.”

Watercolour on Clairefontaine Grain Nuageux paper, 30×21 cm.

Original here.
Okay, I’ve broken down and made prints available. :)

 

Sketch to painting video here.

A creature in a mask

Is she done with him yet? Nope, she isn’t. ;)

In fact, the more theories I read about this guy, the more he intrigues me.

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A creature in a mask

Watercolour and gouache on Canson Montval paper (which is seriously reaching its limits for the amount of water I’ve been sploshing on it recently). Size 42×30 cm.

Original here.

Timelapse video here.

Can we talk about the Force vision Rey has when he is called to the Skywalker lightsabre? How amazing is it to heap spoilers and dead giveaways on the audience in such a way that most of them will be too dazed to make any sense of them until they’ve watched a couple of Youtube videos taking the footage apart? Even after the second rewatch, I didn’t have a clue what I’d seen. In my head, it was WHAM rey-rain-hey-its-R2-was-that-luke-menacing-people-ah-that-kylo-guy-awww-that-poor-girl WHAM, and I never realised that I had just seen Kylo Ren saving Rey’s life by running his iconic lightsabre through a masked man – another knight of Ren? – who was just about to kill her.

Which has sold me on the theory that Kylo Ren was the one who left Rey on Jakku.

This is why nobody ever came back for her – because everyone thought she was dead like the others. Kylo Ren defied Snoke by letting her live, and hiding her. That’s why he seems to know who she is throughout the movie. On my first watch, I was sure she was also a daughter of Han and Leia, so that would have explained the familiarity. Obviously, she isn’t (and is quite probably Luke’s daughter – while that Anakin reincarnation theory is beautiful, I think it’s too out of the way), but he still freaks out when he hears that BB-8 left Jakku with the help of a girl. Because now Snoke will know that Kylo Ren disobeyed him all those years ago. I have a feeling that the completion of his training might be an unpleasant experience.

 

Fell and Fey

Some Silmarillion in between, though at least slightly inspired (as probably shows) by Star Wars – ever since I saw Kylo Ren’s costume, I felt Fëanor would really look great in a high collar and flowing coat-tails. I’ve put him in black and gold before, so that was something that always belonged to him, for me.

And though you might say otherwise, the hair is 100% Fëanor, too. ;)

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Gold leaf (22 karat, a slightly paler colour than the 23 karat I usually use):

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Watercolour, gouache, and gold leaf on Canson Montval, 42×30 cm (painting itself an inch smaller).

Original available here

Prints with gold leaf available here.

Rey

… or how Daisy Ridley’s character killed the Mary Sue trope.

There is just so, so much to love about the new Star Wars movie. As always, I’ll give you the art first, so you can skip the rambling if you like.

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Watercolour and white gel pen on Canson Montval paper, 21×30 cm. Sorry, still not a portrait artist. ;) Original painting available here!

This movie has just done so much with me, and Rey is no exception. She continues a great tradition of females that are unusual on the big screen (again, the Prequels didn’t really add a lot to that – Padme almost ruined every progress that Leia had made). What I love most about Rey is that she is basically Luke. Luke with a bit of Indiana Jones, in fact. She’s a young zero-to-hero figure living on a desert planet who can do basically anything (the Indiana Jones factor). People whine that she’s a Mary Sue (which she is most definitely not, since she isn’t an author insert for JJ Abrams. Not that I know of). Of course, what those people mean is that she’s just too good, too perfect, too proficient, too fast. But firstly, those people wouldn’t even notice it if a male protagonist was that much of a wunderkind (or have you heard people whine about Indiana Jones? Neither have I, rightfully), and secondly, those people are ignoring the factors that play into Rey’s apparent ease at success. The only reason why Rey is able to whomp Kylo Ren so thoroughly at the end of the movie is that Ren is practically dead on his feet at the time. And as for bypassing that compressor, of course she knows her way around with junk!

Rey is such a wonderful heroine that it makes you wonder why it took Hollywood so long to take this plunge with a strong, likeable, female action hero whose gender simply has zero impact on the story. She’s smart, she’s funny, she’s strong, she’s tragic, she’s tenacious, she’s determined. And she’s cute, but frankly, so is everyone else, so she is in no way dependent upon that one female domain.

It makes me infinitely happy that my daughter, and my son, both get to grow up with a movie that has Rey in it.

Seriously though – Lucasfilm acting all surprised by how successful her character is? The fact that she’s the centre of the story might have been a dead giveaway for the astute-minded, but even if that wasn’t, how is it possible that John Williams gave her her own leitmotiv and somehow the merch producers missed that? *whiplash-inducing headshake*

Torn apart

… in which I refuse to feel ashamed for loving Kylo Ren.

This piece was a commission for Deanna, one of my fantastic supporters over at Patreon. She threw a few ideas my way and we ran with Ben Solo as a young Jedi in training, corrupted to the Dark Side by Snoke, torn between the light and the dark but having his path laid out for him through his fear and aggression.

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Torn apart

I can’t believe how much fun it is to figure out this character, and seriously, the only thing that’s keeping me from taking the path to the Dark Side of Fan-fiction is a deeply ingrained aversion against being rendered AU in two years’ time. Art will have to suffice. I put enough story in that to satisfy my needs for explaining the character, but try to leave it symbolic enough so it’ll still work when Episode VIII is out!

The reactions to Kylo Ren are really interesting. Most critics agree that he’s one of the most interesting characters this franchise has had, and certainly the most compelling bad guy. When you’re a teacher in Germany, that picture is slightly different. Quite a few of my students tell me they hated Kylo Ren.

Why? I think he’s too close to home for many people in a certain age group. He embodies the aspects a (male) teenager might dislike about himself. He isn’t cool and badass. He certainly wants to be, and sometimes he fails at it utterly. (Of course, female teenagers usually like him a lot more as they want to pull him back to the light. By his hair or otherwise.)

The expectations for the character were certainly high. In the lead-up to Episode VII, he was everywhere, even on mineral water. You expected him to be the next big bad, and were prepared to embrace your inner badass when you saw him on screen. I think the marketing really has a lot to do with the bad press Kylo Ren gets among younger fans of Star Wars.

And then, of course, he’s got it especially hard in Germany, as the guy who lent him his voice also voices JD from Scrubs. (Funnily, he also voices Dean Winchester, but I never would have known. For Kylo Ren, he definitely gave it a lot more John Dorian and a lot less Dean Winchester.) I don’t know if teenagers in Germany know much Scrubs these days, but the rather whiny voice doesn’t really help. My ears did a couple of double-takes when I heard Adam Driver’s original voice. (His clipped “I’m being torn apart” becomes a melodramatic “Ich bin innerlich zerrissen” in German, which is best translated as “I’m rent on the inside”. Way to kill off that character for German audiences!) My kids will have to endure the movie in English as soon as it comes out on DVD, I can tell you! Here, kiddo, it’s English. It’s good for you. Your resident English teacher says so.

Next stop: Rey!